At the tender age of 22, Brazilian filmmaker and poet Mário Peixoto sets out to create a thoroughly poetic film. His film does not entirely dispense with narration, but it is always diffuse. The name “Limite”, meaning “boundary”, says it all. What holds the film together at its core is the constant reference to a different time and place, which takes place beyond the linearity imposed by the medium and outside the frame provided by the camera. Peixoto himself called his film a desperate cry for resonance, not for understanding.